film soundtrack composer, sound / installation artist, curator – An architect designs works that occupy spaces; I create sound sculptures that fit in the flow of time and perception
VANCOUVER: March 25th – 8:00pm
Tonight at The Toast, Quiet City proudly welcomes France Jobin from Montreal and Noah Anthony from Philadelphia with local support by Jaewoo Lee and Matty Harris. Jay Tee Geeze will be on hand to assist with cookie production and beer can distribution. Zone!
France Jobin wishes to acknowledge the generous support of the
Canada Council for the Arts – Travel – Arts Across Canada
The art gallery ESPACE CERCLE CARRÉ
Nov.20.2017 – An evening of digital arts performances curated by Guillaume Côté
ESPACE CERCLE CARRÉ accueille, le vendredi 10 novembre 2017 dès 20 h, les artistes Dominic Thibault, France Jobin, Patrick Saint-Denis, Preston Beebe pour une soirée de performances audiovisuelles.
ESPACE CERCLE CARRÉ accueille, le vendredi 10 novembre 2017 dès 20 h, les artistes Dominic Thibault, France Jobin, Patrick Saint-Denis, Preston Beebe pour une soirée de performances audiovisuelles.
///
DOMINIC THIBAULT
Dominic Thibault est un musicien électronique, un compositeur, un improvisateur, un enseignant, membre du duo Tout Croche, codirecteur du label The Silent Howl. Sa musique se situe à la croisée de la musique concrète, du noise, du techno et du paysage sonore. Il nous présentera une pièce pour modules de traitement désuets et vidéo.
\\\
FRANCE JOBIN
France Jobin est à la fois artiste audio, compositrice et commissaire. Son art qualifié de «sculpture sonore » se distingue par une approche minimaliste aux environnements sonores, à l’intersection de l’analogue et du numérique. Ses installations empruntent un parcours parallèle, intégrant des éléments musicaux et visuels inspirés par l’architecture des lieux. On peut « vivre l’expérience » de ses installations et concerts live dans une variété d’espaces non conventionnels tels que des festivals de musique et de nouvelles technologies au Canada, aux États-Unis, en Amérique du Sud, en Afrique du Sud, en Europe et au Japon.
///
PATRICK SAINT-DENIS
Patrick Saint-Denis est un compositeur travaillant principallement en art sonore et en scénographie interactive. Ses oeuvres vont de l’installation vidéo à la machinerie robotisée à grande échelle. Son travail est régulièrement présenté en concert, en exposition et en danse tant à Montréal qu’à l’étranger. Il est chargé de cours en musique visuelle et en lutherie numérique à l’Université de Montréal depuis 2010.
\\\
PRESTON BEEBE
Preston détient une maîtrise en composition musicale à l’Université McGill ainsi qu’un Baccalauréat en composition de musique électronique et performance de percussion à l’Université de la Floride du Sud. De 2014 à 2015, il compose un travail pour le baryton Axophone et électronique vivante présentée au centre G. Pompidou à Paris. De plus, il codéveloppe le SpectraSurface,une interface de percussion numérique qui utilise l’extraction de fonctions audio pour contrôler la synthèse du son. En 2011, il sort un album de musique acousmatique, Glisten.
///
Tarif régulier : 10$
Tarif étudiant: 5$
\\\
///
dominicthibault.com
francejobin.com
patricksaintdenis.com
prestonbeebe.com
\\\
COMMISSAIRE GUILLAUME CÔTÉ
Influencé par ce qui l’entoure, le compositeur électroacoustique Guillaume Côté explore, à travers un mélange de matériaux concrets, synthétiques et vocaux, les dynamiques territoriales, linguistiques et sociales propres au Québec.
Il est titulaire d’une maîtrise en composition électroacoustique de l’Université de Montréal sous la tutelle de Robert Normandeau.
Éclectique, sa recherche artistique repose non seulement sur la rencontre de l’Autre par un discours musical aux visées narrative ou informative, mais aussi sur l’abstraction induite par les systèmes modulaires.
Cofondateur de la boîte de création audionumérique Trames, il collabore avec plusieurs artistes tels que Samuel Bobony (Black Givre), Guillaume Campion (Archipel), Lucie Leroux (Empreintes) Dave Gagnon (L’Autre) et Alexis Langevin-Tétrault (Falaises).
FREE WAVES – ONDES LIBRES
France Jobin will present “f orbital”.
Date
October 28, 2017 20:00
Venue
Usine C
1345 Avenue Lalonde,
Montréal,QC
H2L 5A9
Tickets
20:05 Byron Westbrook (US)
20:37 Patrick St-Denis (CA)
21:00 Pause
21:15 France Jobin (CA)
21:45 Tristan Perich (US)
Le Métropolis de Montréal
59 Rue Sainte-Catherine E, Montreal, Montreal, Quebec H2X 1K5
NOCTURNE 3
Red Bull Music Academy pres. Drone Activity in Progress
21h00 France Jobin (CA) – Vacuum phase transition: an exploration of metastability
21h45 Sarah Davachi (CA)
22h40 Anthony Child (UK)
23h45 Fis (NZ)
00h45 Deathprod (NO) w/ the support of Norway Music
Entre/temps – Site specific sound installation June 4 -September 30 2017
Entre/temps at Eremo Celestianiano Di Madonna Dell’Altare, in Panela (CH), a site specific sound installation and
France Jobin will perform the opening concert for the opening of the festival Eremi Arte.
Entre/temps
Is an in-situ installation resulting from my daily encounters and experiences with the people and landscape of the Abruzzo region. The location, la Madonna dell’altare is a particular setting for this work. Constructed in the 14th century, it is placed on a cliff that makes the building impenetrable from three sides.
Yet, there is a fragility here, a beauty in landscape that defies time. In this spirit, entre/temps proposes a small intermission, a moment of time, within time.
—
‘entre/temps’ è un’installazione in-situ, risultato delle mie esperienze e incontri quotidiani con la gente e il paesaggio della regione Abruzzo. Il luogo de La Madonna dell’Altare rappresenta una cornice speciale per questo lavoro. Costruita nel 14° secolo, la struttura è situata su una scogliera che la rende impenetrabile da tre lati.
Eppure c’è una fragilità qui, una bellezza nel paesaggio che sfida il tempo. In questo spirito, ‘entre/temps’ si configura come una piccola pausa, un attimo di tempo nel tempo.
Entre-deux @ n38e13 in Palermo, Sicily
May.21.2017
France has been invited to present Entre-deux, a 4-channel site-specific sound installation, 144 minute cycles
Entre-deux will be presented in the context of Innerscape organized by Vacuamoenia. Innerscape is a week-long project where artists are invited to reflect through their own compositions on a type of exploration in unusual landscapes, trying to make to hear the inaudible.
Entre-deux will be presented for the closing of the event May 20th 2017.
Artists involved and compilation album
More about Entre-deux :
Jobin was one of five international artists selected to present her sound installation, Entre-Deux, in the new media exhibit Data/Fields, curated by Richard Chartier at Artisphere in the Washington, DC area, along with Ryoji Ikeda, Mark Fell, Caleb Coppock, and Andy Graydon. Her proposition received critical acclaim from the national press.
Created entirely with actual field recordings from across the globe and on location around Artisphere, Montreal sound artist France Jobin’s site-specific work Entre-deux explores acts of systemic, yet subjective, information gathering. Spaces and times are chosen for their inherent beauty, then processed and reformed as location and experience itself becomes transposed. Entre-deux is the re-placing of data. RC
This residency is made possible by the generous support of the Canada Council for the Arts, Research grant for New Media and Audio Artists.
Concert in Vienna @ Alte Schmiede Wien Musikwerkstat
May.16.2017
Minimalismus und Loop. Synths zwischen Acid und Ambient: FRANCE JOBIN (CAN) / JOHANNES AUVINEN (AUT/FIN)
Eine Veranstaltung von STROMSCHIENE
Sie sind beide an minimalistischen Sprachen und konzisen Ausdrucksweisen interessiert. Die Kanadierin France Jobin und der in Wien ansässige Finne Johannes Auvinen. Letzterer ist fast ausschließlich im internationalen Club-Kontext anzutreffen, wo er fein nuancierten Acid-House aus Synth und Drumcomputer schält. In seinem Set für die Alte Schmiede präsentiert er erstmals seinen soften Casual Acid. Auvinen konzentriert sich dabei auf die Grundbausteine des Genres, auf Timbre und die Texturen der Synth-Lines, gespeist aus den typischen Maschinen Roland 303 und 101. Er betreibt eine Analyse des Genres, die die Seele und haptischen Qualitäten des House hervortreten lässt und den Fokus auf die melodischen Parts legt. Auch die filigranen Stücke von France Jobin basieren auf feinen Schattierungen und Abstufungen. Die Sound-Art-Künstlerin und Komponistin überführt ihren minimalistischen Ansatz in komplexe, ätherische Klangumgebungen, in denen analoge und digitale Prozesse miteinander verschränkt werden. Es sind klare Drones und subtile Klangwolken, die in Vergangenheitsschichten vordringen und gleichzeitig ins Reich des Imaginären entführen, wobei sie den realen Raum nie außer Acht lassen. S. Strelka/VK
Weitere Informationen: France Jobin www.francejobin.com Johannes Auvinen www.tinmanmusic.com
– –
LQ – Literarisches Quartier | Schönlaterngasse 9, 1010 Wien
Stufenloser Zugang zu Galerie (GLZ) und Schmiede-Werkstatt (AS)
Barrierefreies WC im Erdgeschoss
Zu Veranstaltungszeiten Behindertenparkplatz vor dem Haus Schönlaterngasse 13
Freier Eintritt bei allen Veranstaltungen in der Alten Schmiede!
______________________________________________________
France has been invited to present a concert in Vienna by Shilla Strelka, who was asked to curate 6 shows over the course of one year at Alte Schmiede Wien Musikwerkstat. The space has some history, having artists like Wishart, Feldman, LIgeti, La Monte Young and Luc Ferrari in their past line-up. it’s seated shows, 100ppl only and free entry.
Kicking off the series with microsound maniac Marcus Schmickler + Christian Schroeder on 31/3, it will be followed by France Jobin + Johannes Auvinen , May.16.2017.
The whole thing is called Azephal + Aleph.
Concerts are happening as part of the STROM SCHIENE series.
This is made possible by the generous support of the Canada Council for the Arts, Travel Grant to Media Artists – International Residencies program.
One of the largest festivals of electronic music offers artists, sound artists and DJs from around the world at the Southern Theater in Stockholm on 27-28 January 2017.
The doors to the Southern Theater will open at 17:00 and the doors to Kägelbanan opens at 19:00. All of 20 years old are welcome at the party. There is free admission and first-served basis.
The festivities are led by Swedish Radio show host; Samir Yousufi, Helena Lopac and Pelle Moeld. Festival broadcast live course both days in P2 Swedish Radio k between 21:00 and 24:00.
Wednesday May 18th 2016, 7pm-9pm
Metropolitan Waterworks Museum
2450 Beacon St, Boston, Massachusetts 02467
Non-Event, the Metropolitan Waterworks Museum, Together Boston, and WZBC present:
France Jobin (MTL, multichannel electronics) + Tim Feeney (US, percussion) performing solo sets in the spectactular Great Engines Hall of the Metropolitan Waterworks Museum.
About the artists…
FRANCE JOBIN is a sound artist, composer, and curator residing in Montreal, whose audio art reveals a minimalist approach to complex sound environments where analog and digital intersect. Her installations incorporate both musical and visual elements inspired by the architecture of physical spaces. Her work can be “experienced” internationally in various music venues and new technology festivals, such as Mutek, Flussi, FIMAV, SEND + RECEIVE, Club Transmediale, ISEA RUHR 2010, and surface tension tour Japan. She has releases on Dragon’s Eye, LINE, Room40, ATAK, and non-visual objects.
TIM FEENEY has performed as an improviser with musicians including the trio Meridian, with percussionists Sarah Hennies and Greg Stuart, pianist Annie Lewandowski, cellist and electronic musician Vic Rawlings, vocalist Ken Ueno, saxophonist Andrew Raffo Dewar, banjo and electronic musician Holland Hopson, and many others. He has toured throughout the United States, including notable performances at Boston’s Institute of Contemporary Art, New York’s The Stone, the Center for New Music and Audio Technology at UC-Berkeley, the Stanford Art Museum, Mills College, Princeton University, and Oberlin College. Most recently, he has performed in quartet and large ensembles with composer and saxophonist Anthony Braxton, with whom he recorded for the Tri-Centric Foundation for release in 2016. He has also recorded for Caduc, Accidie, Full Spectrum, Sedimental, homophoni, Audiobot, Soul on Rice, lildiscs, and Brassland/Talitres.
VOLUME @ Del Vaz Projects
1526 Armacost Ave
Apt. 202
Los Angeles, CA 90025
STARTS AT 8
France Jobin will present a four-channel sound installation and live performance on October 28th 2016 for the closing of Haunted Formalism.
This event marks the closing of Haunted Formalism, which true to its exploration of ambivalence and in-betweenness itself adopts two interrelated, concurrent forms. An exhibition of new works by Nicole Phungrasamee Fein and Dean Smith establishes the thematic concerns that inform an ongoing program of live, limited-capacity events, creating an open-ended dialogue between disparate practices that evolves through experiences intended for a small audience.
Yet these dialogues themselves arise from tensions within the artists’ works. Among the most fundamental takes place between art and science; Smith’s drawings in graphite, we argue, can be interpreted in terms of the relational properties of the carbon atoms that compose his medium, while Fein’s compositions, which evoke supernovae and cell-culture dishes, recall the simultaneous coexistence of two states possible in the quantum realm.
France Jobin makes work that emerges from the proposition of an unlikely parallel between quantum mechanics and composing. Just as Heisenberg discovered that scientific precision encounters a limit past a certain scale, so too does the composer stand in an uncertain relationship to the feelings and emotional states that inform his or her work, necessarily falling short of full knowledge. The conundrum is doubled with respect to the listener, for whom the sounds at hand may well have been processed past the point of recognizability, obscuring yet still indicating their material source.
This evening will comprise a four-channel sound installation and a live performance. Tickets are $18, and capacity is limited.