Category: Events

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Brussels BE 01.22.2010 – framework

January 22.10

This sunday on Framework  resonance.fm : “these are few of my favorite things”  by i8u
/*framework* / – phonography / field recording;
contextual and decontextualized sound activity
presented by patrick mcginley

*framework*/ broadcasts:
sunday, 10pm, london, uk on resonance 104.4fm (http://www.resonancefm.com)
tuesday, 2pm, london, uk on resonance 104.4fm (http://www.resonancefm.com)
wednesday, 12am, thessaloniki, gr on cooradio (http://www.cooradio.com)
wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt)
thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt)
friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org)
saturday, 5pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk)

Framework – i8u – my favorite things (Installment #3)

As mentioned in earlier installments, my interpretation of field recording based work is very broad, however, the thread I like to follow is to find artists who have mastered their unique identity through the music of sound.

For the next two editions of “my favorite things”, i will focus on a particular label based in Vienna. The label is nvo, non visual objects and it was founded in 2005 by Heribert Friedl and Raphael Moser. In 2007, nvo released : Extract, Portraits of Soundartists, a book and 2 cd’s.
The next hour will be devoted to the 1st cd’s issued as well as excerpts from the book.

Playlist + additional info below

Tracks Artists & Websites

1. Fingers pointing at the moon, Keith Berry – twoinchesofftheground.com
2. A field for recordings 2,  Richard Chartier – 3particles.com
3. Live in Osaka, Taylor Deupreee – 12k.com
4. nbvto, Heribert Friedl – nonvisualobjects.com
5. Précis,  Richard Garet – richardgaret.com
6. Microclimates for Paliku, Andy Graydon – andygraydon.net
7. Listen to what you see,  Bernhard Günter – trenteoiseaux.de
8. Radio, John Hudak – johnhudak.net
9. In Absentia , Dean King – etoami.com
10. Provisional,  Dale Lloyd – and-oar.org

Additional info:

Extract -Portraits of Soundartists nvo 011 (2007)

Introduction

Since we started the label Nonvisualobjects two years ago, many collaborations with artists worldwide have arisen, a large, growing network has evolved and an extensive body of work has been formed that we would like to explore and try to sum up. The book developed from the idea of presenting an extract of artists involved in the current experimental electro-acoustic music scene, often following a rather reduced approach in their work. We would like to present artists that work in different areas in this field of electro-acoustic music, to cover a large spectrum even in this quite specific area.

With essays, interviews, photos, drawings and other materials presented in this book, we try to look at the motivation and intention behind the sound production from different perspectives, to possibly allow for a new/extended approach to this form of music. Many of the artists involved in this project do not exclusively work with sound, but also in other artistic disciplines. In this book we would like to present these other sides of their work to allow crossreferences/crosslinks to open up new aspects of the music.

The chapters consist of collage-like contributions. Images and text should not necessarily be regarded as complete units, but are open to various possibilites of interpretation.

It was not our intention to present a discourse in theories of art and music. It was also not our wish to present a curated work on a specific topic. Instead we wanted to show very personal portraits created by the artists themselves, which describe their way of working, the methodology of their sound production and which also portray the artist’s physical and not only their intellectual environment – where one lives, things of everyday life, things of interest and inspiration.

In the fast moving times of the digital era, it was also our wish to, at least partly, hold on to an analogue medium. Should the inevitable decay of digitally stored media ever lead to the disappearance of much of contemporary art and culture, the possibility to refer to this book would still remain.

Heribert Friedl, Raphael Moser

nonvisualobjects.com

~ time zone converter:  http://thesaturnv.com/converter.html ~
*for general info, playlists, podcasts, or to stream the latest edition

at any time: http://www.frameworkradio.net
<http://www.resonancefm.com/framework>*

*framework is supported by /soundtransit/: http://www.soundtransit.nl *

RESONANCE FM’S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION.  CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM.  THANK YOU!

*******************************************************
FRAMEWORK NEEDS YOUR SUPPORT!
*******************************************************
your subscriptions & donations help make the production of framework possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.murmerings.com/donate.html. 25% of all donations go to resonancefm, without whom framework would not exist. (if you would like to donate directly to resonancefm please visit their support page here: http://www.resonancefm.com/support.)

PLUS, IN CELEBRATION OF FRAMEWORK’S 250TH EDITION, DONATE €25 OR MORE AND RECEIVE ONE OF THE FRAMEWORK250 2CD COMPILATIONS, OR €40 OR MORE AND RECEIVE BOTH!

Posted on

Montreal 01.21.2010 – The Calendar Project

Crystal House excerpt from January ,The Calendar Project
http://www.calendarproject.ca/en/

Credits : Crystal House

Creation: Tedi Tafel
Dancer: Bill Coleman
Lighting: Yan Lee Chan
Sound: i8u

January 21-22-23.10

The Calendar Project: A year-long, site-specific performance series created by Tedi Tafel

Calendar is a year-long, in situ performance series starting in January 2010 comprised of 12 events – one a month for the entire year. The series draws its inspiration from the seasonal shifts and cycles of the natural world. Each event is closely tied to the time of year in which it will be presented. Calendar takes a variety of forms from the discrete to the elaborate, and will be shown in a diverse array of spaces in Montreal including an industrial warehouse, a backyard garden and an alleyway.

Events vary in length lasting anywhere from mere minutes to several hours occurring at different times of the day. All events are free. calendarproject.ca will be updated and disseminated monthly announcing future events and documenting past ones through images, text and sound.

WHEN: . . . . . January 21-23 between 6 and 9 p.m.
WHERE: . . . . . Espace Jean Brillant
661 Rose de Lima
Montreal, Quebec
Canada
(near metro Lionel Groulx)


January

we enter this wintery space and are stilled
a time of no time, of shadow, hibernation, dream and memory
life is underground, slowed right down
images emerge out of the cold, at times only barely perceptible and light reaches through the darkness

(Tedi Tafel)

This collaborative performance takes the form of a moving installation blending dance, sound, light and video projections. The work will be shown for 3 hours. The public is invited to come and go as they please and to move around the space as they wish. Admission is free.


Credits

Conception/Direction/Video Images: Tedi Tafel
Performance: Leslie Baker, Bill Coleman, Dean Makarenko, Lin Snelling
Sound Environment: Monique Jean, i8u (France Jobin)
Lighting: Yan Lee Chan
Technical Assistance (video): Jonathan Inksetter

for more info: calendarproject.ca

Posted on

Lisbon PT 01.21.2010 – framework

January 20 & 21.10
This sunday on Framework  resonance.fm : “these are few of my favorite things”  by i8u
/*framework* / – phonography / field recording;
contextual and decontextualized sound activity

presented by patrick mcginley

*framework*/ broadcasts:
sunday, 10pm, london, uk on resonance 104.4fm (http://www.resonancefm.com)
tuesday, 2pm, london, uk on resonance 104.4fm (http://www.resonancefm.com)
wednesday, 12am, thessaloniki, gr on cooradio (http://www.cooradio.com)
wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt)
thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt)
friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org)
saturday, 5pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk)

Framework – i8u – my favorite things (Installment #3)

As mentioned in earlier installments, my interpretation of field recording based work is very broad, however, the thread I like to follow is to find artists who have mastered their unique identity through the music of sound.

For the next two editions of “my favorite things”, i will focus on a particular label based in Vienna. The label is nvo, non visual objects and it was founded in 2005 by Heribert Friedl and Raphael Moser. In 2007, nvo released : Extract, Portraits of Soundartists, a book and 2 cd’s.
The next hour will be devoted to the 1st cd’s issued as well as excerpts from the book.

Playlist + additional info below

Tracks Artists & Websites

1. Fingers pointing at the moon,  Keith Berry – twoinchesofftheground.com
2. A field for recordings 2, Richard Chartier – 3particles.com
3. Live in Osaka,  Taylor Deupreee – 12k.com
4. nbvto, Heribert Friedl – nonvisualobjects.com
5. Précis, Richard Garet – richardgaret.com
6. Microclimates for Paliku,  Andy Graydon – andygraydon.net
7. Listen to what you see, Bernhard Günter – trenteoiseaux.de
8. Radio , John Hudak – johnhudak.net
9. In Absentia, Dean King – etoami.com
10. Provisional, Dale Lloyd – and-oar.org

Additional info:

Extract -Portraits of Soundartists nvo 011 (2007)

Introduction

Since we started the label Nonvisualobjects two years ago, many collaborations with artists worldwide have arisen, a large, growing network has evolved and an extensive body of work has been formed that we would like to explore and try to sum up. The book developed from the idea of presenting an extract of artists involved in the current experimental electro-acoustic music scene, often following a rather reduced approach in their work. We would like to present artists that work in different areas in this field of electro-acoustic music, to cover a large spectrum even in this quite specific area.

With essays, interviews, photos, drawings and other materials presented in this book, we try to look at the motivation and intention behind the sound production from different perspectives, to possibly allow for a new/extended approach to this form of music. Many of the artists involved in this project do not exclusively work with sound, but also in other artistic disciplines. In this book we would like to present these other sides of their work to allow crossreferences/crosslinks to open up new aspects of the music.

The chapters consist of collage-like contributions. Images and text should not necessarily be regarded as complete units, but are open to various possibilites of interpretation.

It was not our intention to present a discourse in theories of art and music. It was also not our wish to present a curated work on a specific topic. Instead we wanted to show very personal portraits created by the artists themselves, which describe their way of working, the methodology of their sound production and which also portray the artist’s physical and not only their intellectual environment – where one lives, things of everyday life, things of interest and inspiration.

In the fast moving times of the digital era, it was also our wish to, at least partly, hold on to an analogue medium. Should the inevitable decay of digitally stored media ever lead to the disappearance of much of contemporary art and culture, the possibility to refer to this book would still remain.

Heribert Friedl, Raphael Moser

nonvisualobjects.com

~ time zone converter:  http://thesaturnv.com/converter.html ~
*for general info, playlists, podcasts, or to stream the latest edition

at any time: http://www.frameworkradio.net
<http://www.resonancefm.com/framework>*

*framework is supported by /soundtransit/: http://www.soundtransit.nl *

RESONANCE FM’S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION.  CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM.  THANK YOU! *******************************************************
FRAMEWORK NEEDS YOUR SUPPORT!
*******************************************************
your subscriptions & donations help make the production of framework possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.murmerings.com/donate.html. 25% of all donations go to resonancefm, without whom framework would not exist. (if you would like to donate directly to resonancefm please visit their support page here: http://www.resonancefm.com/support.)

PLUS, IN CELEBRATION OF FRAMEWORK’S 250TH EDITION, DONATE €25 OR MORE AND RECEIVE ONE OF THE FRAMEWORK250 2CD COMPILATIONS, OR €40 OR MORE AND RECEIVE BOTH!

Posted on

Tessaloniki Gr 01.20.2010 – framework

January 20.10

This sunday on Framework  resonance.fm : “these are few of my favorite things”  by i8u

/*framework* / – phonography / field recording;
contextual and decontextualized sound activity
presented by patrick mcginley

*framework*/ broadcasts:
sunday, 10pm, london, uk on resonance 104.4fm (http://www.resonancefm.com)
tuesday, 2pm, london, uk on resonance 104.4fm (http://www.resonancefm.com)
wednesday, 12am, thessaloniki, gr on cooradio (http://www.cooradio.com)
wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt)
thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt)
friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org)
saturday, 5pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk)

Framework – i8u – my favorite things (Installment #3)

As mentioned in earlier installments, my interpretation of field recording based work is very broad, however, the thread I like to follow is to find artists who have mastered their unique identity through the music of sound.

For the next two editions of “my favorite things”, i will focus on a particular label based in Vienna. The label is nvo, non visual objects and it was founded in 2005 by Heribert Friedl and Raphael Moser. In 2007, nvo released : Extract, Portraits of Soundartists, a book and 2 cd’s.
The next hour will be devoted to the 1st cd’s issued as well as excerpts from the book.

Playlist + additional info below

Tracks Artists & Websites

1. Fingers pointing at the moon, Keith Berry – twoinchesofftheground.com
2. A field for recordings 2,  Richard Chartier – 3particles.com
3. Live in Osaka, Taylor Deupreee – 12k.com
4. nbvto, Heribert Friedl – nonvisualobjects.com
5. Précis,  Richard Garet – richardgaret.com
6. Microclimates for Paliku, Andy Graydon – andygraydon.net
7. Listen to what you see,  Bernhard Günter – trenteoiseaux.de
8. Radio, John Hudak – johnhudak.net
9. In Absentia , Dean King – etoami.com
10. Provisional,  Dale Lloyd – and-oar.org

Additional info:

Extract -Portraits of Soundartists nvo 011 (2007)

Introduction

Since we started the label Nonvisualobjects two years ago, many collaborations with artists worldwide have arisen, a large, growing network has evolved and an extensive body of work has been formed that we would like to explore and try to sum up. The book developed from the idea of presenting an extract of artists involved in the current experimental electro-acoustic music scene, often following a rather reduced approach in their work. We would like to present artists that work in different areas in this field of electro-acoustic music, to cover a large spectrum even in this quite specific area.

With essays, interviews, photos, drawings and other materials presented in this book, we try to look at the motivation and intention behind the sound production from different perspectives, to possibly allow for a new/extended approach to this form of music. Many of the artists involved in this project do not exclusively work with sound, but also in other artistic disciplines. In this book we would like to present these other sides of their work to allow crossreferences/crosslinks to open up new aspects of the music.

The chapters consist of collage-like contributions. Images and text should not necessarily be regarded as complete units, but are open to various possibilites of interpretation.

It was not our intention to present a discourse in theories of art and music. It was also not our wish to present a curated work on a specific topic. Instead we wanted to show very personal portraits created by the artists themselves, which describe their way of working, the methodology of their sound production and which also portray the artist’s physical and not only their intellectual environment – where one lives, things of everyday life, things of interest and inspiration.

In the fast moving times of the digital era, it was also our wish to, at least partly, hold on to an analogue medium. Should the inevitable decay of digitally stored media ever lead to the disappearance of much of contemporary art and culture, the possibility to refer to this book would still remain.

Heribert Friedl, Raphael Moser

nonvisualobjects.com

~ time zone converter:  http://thesaturnv.com/converter.html ~
*for general info, playlists, podcasts, or to stream the latest edition

at any time: http://www.frameworkradio.net
<http://www.resonancefm.com/framework>*

*framework is supported by /soundtransit/: http://www.soundtransit.nl *

RESONANCE FM’S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION.  CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM.  THANK YOU!

*******************************************************
FRAMEWORK NEEDS YOUR SUPPORT!
*******************************************************
your subscriptions & donations help make the production of framework possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.murmerings.com/donate.html. 25% of all donations go to resonancefm, without whom framework would not exist. (if you would like to donate directly to resonancefm please visit their support page here: http://www.resonancefm.com/support.)

PLUS, IN CELEBRATION OF FRAMEWORK’S 250TH EDITION, DONATE €25 OR MORE AND RECEIVE ONE OF THE FRAMEWORK250 2CD COMPILATIONS, OR €40 OR MORE AND RECEIVE BOTH!

Posted on

London UK 01.17.2010 – framework

January 17 & 19.10

This sunday on Framework  resonance.fm : “these are few of my favorite things”  by i8u
/*framework* / – phonography / field recording;
contextual and decontextualized sound activity
presented by patrick mcginley

*framework*/ broadcasts:
sunday, 10pm, london, uk on resonance 104.4fm (http://www.resonancefm.com)
tuesday, 2pm, london, uk on resonance 104.4fm (http://www.resonancefm.com)
wednesday, 12am, thessaloniki, gr on cooradio (http://www.cooradio.com)
wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt)
thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt)
friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org)
saturday, 5pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk)

Framework – i8u – my favorite things (Installment #3)

As mentioned in earlier installments, my interpretation of field recording based work is very broad, however, the thread I like to follow is to find artists who have mastered their unique identity through the music of sound.

For the next two editions of “my favorite things”, i will focus on a particular label based in Vienna. The label is nvo, non visual objects and it was founded in 2005 by Heribert Friedl and Raphael Moser. In 2007, nvo released : Extract, Portraits of Soundartists, a book and 2 cd’s.
The next hour will be devoted to the 1st cd’s issued as well as excerpts from the book.

Playlist + additional info below

Tracks Artists & Websites

1. Fingers pointing at the moon, Keith Berry – twoinchesofftheground.com
2. A field for recordings 2, Richard Chartier – 3particles.com
3. Live in Osaka, Taylor Deupreee – 12k.com
4. nbvto, Heribert Friedl – nonvisualobjects.com
5. Précis, Richard Garet – richardgaret.com
6. Microclimates for Paliku, Andy Graydon – andygraydon.net
7. Listen to what you see, Bernhard Günter – trenteoiseaux.de
8. Radio,  John Hudak – johnhudak.net
9. In Absentia, Dean King – etoami.com
10. Provisional, Dale Lloyd – and-oar.org

Additional info:

Extract -Portraits of Soundartists nvo 011 (2007)

Introduction

Since we started the label Nonvisualobjects two years ago, many collaborations with artists worldwide have arisen, a large, growing network has evolved and an extensive body of work has been formed that we would like to explore and try to sum up. The book developed from the idea of presenting an extract of artists involved in the current experimental electro-acoustic music scene, often following a rather reduced approach in their work. We would like to present artists that work in different areas in this field of electro-acoustic music, to cover a large spectrum even in this quite specific area.

With essays, interviews, photos, drawings and other materials presented in this book, we try to look at the motivation and intention behind the sound production from different perspectives, to possibly allow for a new/extended approach to this form of music. Many of the artists involved in this project do not exclusively work with sound, but also in other artistic disciplines. In this book we would like to present these other sides of their work to allow crossreferences/crosslinks to open up new aspects of the music.

The chapters consist of collage-like contributions. Images and text should not necessarily be regarded as complete units, but are open to various possibilites of interpretation.

It was not our intention to present a discourse in theories of art and music. It was also not our wish to present a curated work on a specific topic. Instead we wanted to show very personal portraits created by the artists themselves, which describe their way of working, the methodology of their sound production and which also portray the artist’s physical and not only their intellectual environment – where one lives, things of everyday life, things of interest and inspiration.

In the fast moving times of the digital era, it was also our wish to, at least partly, hold on to an analogue medium. Should the inevitable decay of digitally stored media ever lead to the disappearance of much of contemporary art and culture, the possibility to refer to this book would still remain.

Heribert Friedl, Raphael Moser

nonvisualobjects.com

~ time zone converter:  http://thesaturnv.com/converter.html ~
*for general info, playlists, podcasts, or to stream the latest edition

at any time: http://www.frameworkradio.net
<http://www.resonancefm.com/framework>*

*framework is supported by /soundtransit/: http://www.soundtransit.nl *

RESONANCE FM’S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION.  CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM.  THANK YOU!

*******************************************************
FRAMEWORK NEEDS YOUR SUPPORT!
*******************************************************
your subscriptions & donations help make the production of framework possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.murmerings.com/donate.html. 25% of all donations go to resonancefm, without whom framework would not exist. (if you would like to donate directly to resonancefm please visit their support page here: http://www.resonancefm.com/support.)

PLUS, IN CELEBRATION OF FRAMEWORK’S 250TH EDITION, DONATE €25 OR MORE AND RECEIVE ONE OF THE FRAMEWORK250 2CD COMPILATIONS, OR €40 OR MORE AND RECEIVE BOTH!

Posted on

Montreal 10.19.2009 – Simulcast

still life by i8u

October 19.09

SIMULCAST - rebroadcast on Radio Jean-Talon

SIMULCAST info below...

SIMULCAST broadcast schedule:

15.10.09 Hélène Prévost
16.10.09 Harold Schellinx
17.10.09 GX Jupitter-Larsen
18.10.09 Mario Gauthier
19.10.09 i8u
20.20.09 Stéphane Claude
21.20.09 Martine Crispo
22.10.09 Magali Babin

All broadcasts begin at midnight (Montréal time).

Tune in!  106.7 FM  http://radiojeantalon.wordpress.com/

Presented by the Montréal-based organization Silophone.
Curator: Emmanuel Madan
Independent curatorial project for a series of audio web based and radio
broadcasts

Reacting to a radio culture which accustoms us to the division of time
into a grid of discontinuous slices, Simulcast proposes a renewal of
radio’s relationship with eternity. Four artists are asked to provide an
unchanging sound or soundscape. Each artist’s work is broadcast
continuously over seven consecutive nights.

By bathing listeners in an event which remains unitary for a period of
many hours, Simulcast suggests a simultaneity between all moments of a
broadcast: a collapsing of long periods of time into a single instant.

Simulcast 2.0 : Sackville

As late-night radio listeners well know, unusual things can happen on the
radio after ...
Artists:
Emmanuel Madan, Hélène Prévost, Mario Gauthier, i8u, Stéphane Claude

Simulcast 1.0b: Saskatoon

Simulcast 1.0b : Saskatoon spanned twenty-eight ...
Artists:
Emmanuel Madan, Magali Babin, Martine H. Crispo, GX Jupitter-Larsen ,
Harold Schellinx

http://www.undefine.ca/en/projects/simulcast/
Posted on

New York 10.17.2009 bubblyfish-i8u at the Stone

2009-10-17 New York, NY

October 17.09

Bubblyfish , Haeyoung Kim (gameboy sounds, electronics)
i8u (laptop)
Prosody:

A collaborative performance by Bubblyfish and i8u. Prosody comes from linguistics, the patterns of stress, rhythm and intonation of connected speech. It may reflect various features of the speaker, be it utterance or an emotional state, that may not be encoded by grammar or choice of vocabulary. This performance proposes the idea of prosody in an experimental improvisational musical form.

bubblyfish.com
i8u.com

prosody
bubblyfish | i8u
Time:10:00PM Saturday, October 17th
Location:The Stone

is located at the corner of avenue C and 2nd street
New York, NY

Posted on

Moscow, St. Petersburg, kolomna 10.15-23-29.2009 – Electroshock


October 15.09
October 23.09
October 29.09

Electroshock | Artemiy Artemiev

Radio Ultra 70.19FM Moscow
Radio Neva-3 – 104.4 FM St. Petersburg’s
Radio Kolomna – 91.8 FM Kolomna

Broadcast of:

Ligne –  ATAK 013 –  Ligne –  i8u | Tomas Phillips
Donnée – ATAK 013 –  Ligne –  i8u | Tomas Phillips
Point – – ATAK 013 –  Ligne –  i8u | Tomas Phillips
String 4 – ROOM40 – 10-33cm – i8u
String 7 – ROOM40 – 10-33cm – i8u
by Artemiy Artemiev on his regular radio show Electroshock.

Posted on

New York 09.17.2009 – Simulcast 2.0

still life by i8u

September 17.09

SIMULCAST 2.0 at ((audience)) in Syracuse, NY (Festival schedule below)

SIMULCAST 2.0 : Four Canadian sound and radio artists were asked to provide a single, unchanging sound.

Presented by the Montréal-based organization Silophone this past July in Sackville, these  works will be re-broadcast as part of  the ((audience)) radio festival on Red House Radio

Featuring sounds  by Hélène Prévost, Mario Gauthier, i8u and Stéphane Claude.”

19|20.09.09 Hélène Prévost “12:00”
20|210.9.09 i8u “still life”
26|27.09.09 Mario Gauthier “Transparence”
27|28.09.09 Stéphane Claude “Waves Array”

___________________________________________________________________________________

Announcing the U.S Premiere of ((audience)), an international festival of
5.1 surround sound art presented in movie theaters as “cinema in the dark”

U.S. Premiere of ((audience))
Thursday, September 17 – Sunday, September 27, 2009
Red House Arts Center, Syracuse, NY

NEW YORK – Curators Alexis Bhagat and Lauren Rosati announce the U.S.
Premiere of ((audience)) at Red House Arts Center in Syracuse, NY,
launching with a two-week festival of art, experimental media, live music,
a radio program, and featuring works by seven international artists in the
2009 program of ((audience)).

Conceived in 2006, ((audience)) is an unprecedented project that explores
the cinema as a 21st century concert hall. Currently, sound artists must
“perform” what are essentially multi-track recordings, interpreting the
playback of their compositions to account for technical and acoustic
variations in different sites. ((audience)) bypasses this problem by
considering the cinema-hall as a standard technical and acoustic platform
and site.

The centerpiece of ((audience)) is a 2 ½ hour “film” of 5.1 surround sound
works by seven international artists intended for presentation in movie
theaters as “cinema in the dark.” This program will travel to partnering
organizations from Delhi, India to Providence, RI to Montreal, Canada —
accompanied by curatorial lectures, performances and screenings on a
city-by-city basis — through 2010.

SCHEDULE OF EVENTS
The inaugural two-week ((audience)) festival features six nights of
programs, each exploring a different perspective on the cinema as concert
hall:

Thursday, September 17 / 5-8pm
SOLO EXHIBITION, OPENING RECEPTION: mudboy, Last Wishes
A kinetic, in-the-dark installation consisting of several light
‘paintings’ opens in the Joan Lukas Rothenberg Gallery at Red House. The
kinetic paintings use handmade optical projectors, LED lights and open
source 8-bit controller technology to produce a constant moving image.

Friday, September 18 / 7pm
LIVE PERFORMANCES: Loud Objects and MV Carbon / Zach Layton
This evening of experimental music at the Red House features the Loud
Objects, performing live 1-bit circuit bending on an overhead projector,
and
MV Carbon and Zach Layton, performing on sitar, cello, electronics and
feedback.

Saturday, September 19 / 7pm
SCREENING: ((audience)) Premiere
The centerpiece of ((audience)) is a 2 1/2 hour program of sound artworks
by eight international artists. Presented  “in the dark” with full 5.1
surround sound, the evening will be an immersive experience in cinematic
audio. The ((audience)) Main Program contains works by: Jamie Allen; Bryan
Jacobs; Loud Objects; Simona Brinkmann; Natasha Barrett; Emmanuel Madan
and Anna Friz; Cedric Maridet and a Syracuse exclusive by Uli Schuster.

Thursday, September 24 / 7pm
TAPE-MUSIC CONCERT: Music on All Sides
This “in the dark” evening explores the use of 5.1 surround sound in the
composition of experimental and new music. Featuring the work of John
Hudak; R. Luke Dubois; and Brett Balogh and Stephen Hastings-King.

Friday, September 25
7pm / SCREENING: Cinema for the Eyes and Ears
This “psychedelic video mix” is composed of fractals, stochastic
structures, autumn leaves, sprouting seeds, nebulae and one pumping stereo
soundtrack. Featuring work by Sean Niessen; Dave Fischer; Sam Pellmann and
Miranda Raimondi; and Michael Northam.

9pm / SCREENING: Psicklops
A rare screening of mudboy’s “dark cinema psycho drama.”
Sunday, September 27 / 2pm
KARAOKE BRUNCH / CLOSING PARTY
Join the curators of ((audience)) and Red House staff for a very special
event combining live karaoke, coffee and waffles from Funk N’ Waffles. To
be broadcast LIVE on Red House Radio.

September 17 – September 27 / All day
RADIO FEST
For ten days, special programs on Red House Radio will be broadcast to
coincide with the ((audience)) festival, including live performances, DJ
mixes from contributing artists, artist talks and spotlights, and new and
historic works of radio drama.

Curated by Alexis Bhagat and Lauren Rosati.

GENERAL INFORMATION
For more information about ((audience)) at Red House Arts Center, please
visit http://theredhouse.org or call 315-425-0405. Red House Arts Center
is open Monday through Friday from 10am -5pm. Festival passes allow
admission to each event and cost $20. Individual events cost $10. The
opening of Last Wishes by mudboy on September 17 is free and open to the
public. All events will be held at Red House Arts Center.

Red House Arts Center / 201 S. West Street, Syracuse, NY / 13202
315-425-0405 / press@theredhouse.org

ABOUT ((AUDIENCE))
((audience)) is dedicated to the advancement of aural arts by providing
wide distribution and new contexts for works by emerging and established
sound artists and composers. For our first decade, ((audience)) will focus
on the cinema as a technical and distributive platform, organizing a
biennial nomadic art festival in partnership with select arts
organizations worldwide.

Conceived in 2006, ((audience)) will premiere in Syracuse, NY this year
and will continue to travel internationally through 2010. We are
partnering with local arts organizations in cities worldwide and expect to
hold 12 further screenings/  festivals. Curatorial lectures, performances,
artist presentations and exhibitions will coincide with screenings on a
city-to-city basis. For more information on ((audience)), please visit
http://au.dience.org.

((audience)) / mail: 39 Ave. A, Box 103, NY, NY 10009 / lauren@au.dience.org
temporary HQ: 125 Maiden Lane, 9th Floor, New York, NY 10038

((audience)) is a sponsored project of Fractured Atlas, a non-profit arts
service organization, and Lower Manhattan Cultural Council’s Swing Space
program.

In composing “still life”, I  recalled a fascinating experience during a recent stay on the Frioul archipelago, near Marseilles.  While walking and recording sounds for various projects, I noticed a snail on the steps leading to my studio. Everyday I walked up and down those steps; I was constantly excited at the prospect of observing the progress this snail would manage.   It was very cold and it looked to me as if the snail wasn’t moving at all.  My enjoyment of the snail was the surreal concept that I could not observe its immediate progress but was aware of it by gauging how much progress it had made each day.

This project being in line with the minimal aesthetic I am interested in of late, i have decided  to approach the sound of imperceptible change as audio “still life” .

Posted on

South Devon UK 08.01.2009 – framework South Devon UK

Aug.1.09

This sunday on Framework  resonance.fm : “these are few of my favorite things”
2nd installment by i8u
/*framework* / – phonography / field recording;
contextual and decontextualized sound activity
presented by patrick mcginley

*framework*/ broadcasts:
-sunday, 10pm, london, uk on *resonance104.4fm*(http://www.resonancefm.com)
– tuesday, 12pm, thessaloniki,  on *cooradio (http://www.cooradio.com)
– thursdays, 7pm, lisbon, pt on *radio zero* (http://www.radiozero.pt)
– fridays, 1am, brussels, be on *radio campus 92.1fm*(http://www.radiocampusbruxelles.org)
– saturday, 5pm, south devon, uk on *soundartradio* 102.5fm(http://www.soundartradio.org.uk)

“these are few of my favorite things” (2nd installment)

As i mentioned in the first installment, my interpretation of field recording based works, is very broad however, there is a thread I like to follow, it is to find  artists who have mastered  their unique identity through the music of sound.

I chose to open and close this evening’s program with Mika Vainio’s Behind the Radiators released as part of Touch Sevens series, a 7″ vinyl releases only on Touch Music.

Enjoy!

i8u

Playlist

1.A Behind The Radiators
Mika Vainio | Touch

http://www.phinnweb.org/vainio/
http://www.touchmusic.org.uk/touchsevens/

2. Hornet
Angel/Hedonism |  eMego

http://www.myspace.com/angelnoise
http://www.editionsmego.com/

3. Grass
Richard Garet | unreleased

http://www.richardgaret.com

4. Don’t look back
Rinus Van Alebeek | unreleased

http://www.myspace.com/rinusvanalebeek
http://www.zeromoon.com/rinus
http://staalplaat.wordpress.com

5. Music for Plants in Rhodes Island
David last | unreleased

http://www.konque.com
http://www.davidlast.net

6. track 04
Keiichiro Shibuya/Maria | ATAK

http://atak.jp/en/about/shibuya.html

7. track 02
Roel Meelkop/ an ear for numbers | zang:records

http://www.r0m.nl/

8. B Behind The Radiators
Mika Vainio | Touch
http://www.phinnweb.org/vainio/
http://www.touchmusic.org.uk/touchsevens/

~ time zone converter:  http://thesaturnv.com/converter.html ~
*for general info, playlists, podcasts, or to stream the latest edition

at any time: http://www.frameworkradio.net
<http://www.resonancefm.com/framework>*

*framework is supported by /soundtransit/: http://www.soundtransit.nl *

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