Montreal – Toronto 04.15.2004 – Pause



Gate, is a Web art project being created for the exhibit <PAUSE> curated by MobileGaze.

SATURDAY, OCTOBER 25

<PAUSE>addresses the notion of time as experienced in art and through technology. The exhibition aims at intercepting this stream of information in order to provide a disruption within this endless expanse of data—by providing the viewer with a vantage point, a moment of reflection and a slowing down in his/her interactive viewing habits. <PAUSE> will feature commissioned Web art projects by Canadian and international artists accompanied by descriptive essays to be presented via MobileGaze’s website.

Montréal Launch : Thursday April 15, 2004
Artist Talk: 3 pm
Web Launch: 5 pm
Performances: 7 pm
Presented in collaboration with:
Oboro
4001, rue Berri, local 200
Montreal Quebec
514.844.3250
www.oboro.net

Toronto Launch : Wednesday April 21, 2004
Artist Talk and Web Launch : 7 pm
Presented in collaboration with:
Images Off Screen 2004 / NEW MEDIA
www.imagesfestival.com
and (+)
InterAccess Electronic Media Arts Centre
401 Richmond Street West, Suite 448
416.599.7206
interaccess.org

Artists:
Yan Breuleux (Canada) = “Purblue Net.vers.1.2” (2003-4)
Jonah Brucker-Cohen (USA) = “Audiobored” (2003-4)
Grégory Chatonsky (France) = “1=1” (2004)
David Clark (Canada) = “Likewise” (2004)
David Crawford (USA) = “Stop Motion Studies” (2003-4)
Paul Devens (Netherlands) = “Dial(key)” (2004)
Reynald Drouhin + Emilie Pitoiset (France) = “Data-raw” (2003-4)
Peter Horvath (Canada) = “Album” (2004)
I8U (Canada) = “Gate” (2004)
MTAA (USA) = “Five Small Videos About Interruption and Disappearing” (2003)

MobileGaze is an artist collective dedicated to promoting, presenting and discussing new media works. Founded in Montréal in 1999 by Brad Todd and Valérie Lamontagne, MobileGaze showcases net.art and digitally based works; interviews with media artists and cultural producers; critical writing on the impact of technology in the arts; and live Web cast events. MobileGaze serves as a platform for artists and critics interested in exchanging ideas around new media and produces thematically centred exhibitions challenging the uses of audio, video, networks and telematics by artists. MobileGaze’s previous projects include the online exhibition Matter + Memory and a series of online magazine-format dossiers and interviews

Montreal 03.04.2004 – Studio XX


THURSDAY, MARCH 4, 2004, 5:30 pm @ Studioxx

Salon Femmes br@nchées #54 – FUGUES INTERACTIVES

Studio XX, Montreal¹s premier digital resource centre for women, proposes a rendezvous with five sound artists just coming out from months of new technical explorations. As always, tantalising snacks will be provided during this Happy Hour get-together.

Freed from intensive sessions in front of their monitors, the artists who participated in the MAX professional development workshop are happy to present their works-in-progress. They will demystify for you this programming environment that they loved discovering. Why MAX? To learn a versatile new tool that allows for a plethora of possibilities ­ electric, interactive, musical. During the first part of the evening, Chantal Dumas, Kathy Kennedy, I8U and Vera Ronkos will expose the interactive applications that they developed using sound and automation. The instructor of the workshop, Patrice Coulombe will join with them to convince you that MAX is a necessary tool for all interdisciplinary and technological artists!

Montreal 02.12.2004 – PrÉ-rien

    Magali Babin, I8U
PRÉrien(15)a
+ Félix Frédéric Baril
2004|02|12 | 18h00

Magali Babin, I8U
Peak (2003) | 40min

oeuvre-performance

C’est lors du festival Htmlles en février 2003 que la pièce Peak fut créée par Magali Babin et I8U. Toutes deux grandes improvisatrices et exploratrices elles voulaient créer une performance audio qui pouvait mettre en scène la rencontre des extrêmes. Peak est composée de cet alliage conceptuel des contraires:

sons analogiques lo-fi <–> sons électroniques hi-fi,
le corps <–> la machine,
l’improvisation du geste <–> la mémoire informatisée,
une composition qui va du crépitement minimal à une ambiance sonore maximale.

Cette œuvre se veut aussi un hommage à la sensualité, un crescendo vers l’extase féminine.

Une nouvelle version de cette œuvre a été créée en janvier 2004 à Berlin, dans le cadre du festival international d’art médiatique Club Transmediale.

Berlin 02.04.2004 – Club Transmediale 04 bootlab

.:bootlab:.

Berlin
transmediale.04 
Feb 4th 2004 – 18:00

-


HTMlles Opening


 presented by StudioXX in cooperation with bootlab and  
Club Transmediale.

_anna friz + annabelle chvostek

_Magali Babin vs I8U

_[sic]

_alexis o’hara

bootlab 
ziegelstrasse 20
10117 berlin
raum3@bootlab.org

Berlin 02.03.2004 – Club Transmediale 04 Share Mobile

Berlin
transmediale.04
Feb 3rd 2004 – 22:00 –

Share Mobile Berlin 1
Feb 4th 2004  – 22:00 –

Share Mobile Berlin 2
Open jam for audio / video artists with portable gear.
Plug in and play.
Details and Workshop
>
[CTM EXTENDED] Share Mobile Berlin

Free entrance for active participants, if registered in advance: share@clubtransmediale.de

Livestream on: http://share.dj/clubtransmediale/
Maria am Ostbahnhof
an der Schillingbrücke / Stralauer Platz
10243 Berlin
S-BHF Ostbahnhof
U-BHF Jannowitzbrücke
bus 140 /142 / 147 / 240 / 265 / 340
night bus N44 / N

Rotterdam 01.25.2004 – Wolfahrt

Rotterdam
WOHLFAHRT Jan 25th 2004
-17:00h-

Electronic Dämmerung #1 @ WOHLFAHRT

MONTREAL SPECIAL: I8U + THE AUTOMATED PRAYER MACHINE (Anna Friz & Annabelle Chvostek)

Wohlfahrt, Wolphaertstraat 25, Rotterdam-Zuid / doors open 16.00, start 17.00 / 3,00

(Metro Maashaven, tram #2 direction Charlois, step out Frans
Bekkerstraat)