Category: Events

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und transit @ la vitrine sonore – sporopole

und transit – a 16.5 hours – multichannel sound installation @ Sporobole‘s Vitrine Sonore

11227903_10153258198449037_3922572741823182292_n©France Jobin

On alternate weeks from September 15th 2015 to October 31st 2015 –
Every day – from 8 a.m. to 12:30 a.m.

Week of 09.15.015
Week of 09.29.2015
Week of 10.11.2015
Week of 10.25.2015

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Und transit

We all have a capacity to ignore the space we must use to get to our destination. Like most passage ways, they are a means to an end, and rarely are treated as an end in itself. Upon being introduced to minoritenplatz, I was immediately struck by the loneliness and practicality of this passage way.

Inspired by the solitary and functional aspects of La vitrine sonore’s location, I plan to collect a number of field recordings from in and around its emplacement, in order to create a series of soundscapes based on the sound of emptiness in this space.

France Jobin

und transit – sound installation will be presented in September 2015 at la Vitrine Sonore of Sporobole in Sherbrooke. The result of a 3 week residency in situ, will transform this passageway into a place to stop, listen and meander.

 

La vitrine sonore

Sporobole launches a new annual program that provides a curator the opportunity to gather sound artists around a curatorial approach and concepts about the Sound Window diffusion device. During a three-week residency, each artist will have unlimited access to the sound laboratory and will develop a project which will be broadcast and discussed during a round table that will conclude the year’s program.

The Sound Window is a permanent system for sound projection on the façade of Sporobole, along the sidewalk on Albert Street. Made up of sixteen loudspeakers, it makes it possible to enter into direct contact with passers-by making their way to the above-ground parking garage next door to Sporoble on city’s main street, Wellington. The linear arrangement of the sixteen speakers and their position at the geometrical interface between Sporobole and the thoroughfare make this new outdoor sound gallery a singular platform for sound spatialisation and the projection of works of sound art.

 

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Call & Response in collaboration with LINE – A listening experience

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LINE

 

Call & Response presents:
a LINE listening experience

Call & Response are pleased to host a listening experience featuring artists from the LINE imprint.
 
Since 2000 the LINE imprint, curated and art directed by Richard Chartier, has continued to publish documents of compositional and installation work by international sound artists and composers exploring the aesthetics of contemporary and digital minimalism as limited edition Compact Discs and DVDs.
 
As a part of our collaboration with LINE, Call & Response will feature works from the following artists in 3D sound at our space in South London’s Enclave:
 
Richard Chartier – Recurrence
France Jobin – P Orbital
Simon Whetham – El Parque Está Situado En Su Propia Casa
Yann Novak – Relocation.Vacant
Stephan Mathieu – Seventh Dream

 
www.lineimprint.com
www.enclaveprojects.com
www.callandresponse.org.uk/line
 
Friday May 29th 6.30pm–till late
Saturday May 30th 2pm-6pm
Sunday May 31st 2pm-6pm
Friday July 31st 6:30pm-till late

 
C&R space
Enclave, Unit 9
50 Resolution Way
London
SE8 4NT

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immerson 7

Immerson7_oboro_wp

Nicolas Bernier, John Duncan, Herman Kolgen, Mika Vainio

Curator : France Jobin

Thursday, June 4 and Friday, June 5, 2015 at 6 pm

Tickets on sale at OBORO ($10)
as of May 26, 2015. *Maximum of 2 tickets per person*
From Tuesday to Saturday, noon to 5 pm.
You can also call 514 844-3250 (credit card only).
Limited seats. No ticket reservation.

The Artists:

Nicolas Bernier creates sound performances, installations, musique concrète, live electronics, post-rock, noise improv and video art while also working with dance, theatre, moving images and within interdisciplinary contexts. In the midst of this eclecticism, his artistic concerns remain constant: the balance between the cerebral and the sensual, and between organic sound sources and digital processing. Awardee of the prestigious Golden Nica at Prix Ars Electronica 2013 (Austria), his work have been presented in major events and venues like SONAR (Spain), Mutek (Canada), DotMov Festival (Japan), ZKM (Germany), Transmediale (Germany) and LABoral (Spain) to name a few. His sound compositions are widely published on electronic music labels: Crónica (Portugal), LINE (US), leerraum (Switzerland), Entr’acte (UK) and empreintes DIGITALes (Québec). He holds a PhD in sonic arts from the University of Huddersfield (UK). He his a member of Perte de signal, a media arts research and development centre based in Montreal. He his teaching in the Digital Music program of the Université de Montréal.

www.nicolasbernier.com

John Duncan was born in the United States, currently lives and works in Bologna. Duncan portrays his work as a catalyst, inciting a transmission of energy through which he seeks to compel the audience to actively participate in the process of investigation and self-discovery. His lengthy career of electroacoustic intensity and confrontational performance art events is the result of rigorous investigations into a number of arcane, metaphysical, and at times transgressive themes. Duncan is a rare artist who is totally immersed in existential research.
– Jim Haynes, The Wire (UK). His audio releases THE CRACKLING (1996 with Max Springer), PALACE of MIND (2001 with Giuliana Stefani), FRESH (2002 with Zeitkratzer), THE KEENING TOWERS (2003), PHANTOM BROADCAST (2004), NINE SUGGESTIONS (2005 with Mika Vainio and Ilpo Väisänen), THE NAZCA TRANSMISSIONS (2009) to name a few, are all considered by critics and composers alike to be benchmarks in the field of experimental sound and contemporary music.

www.johnduncan.org

Recognized for his multimedia creations for over twenty years, Herman Kolgen is a multidisciplinary artist who lives and works in Montreal. A true audiocinetic sculptor, he draws his primary material from the intimate relationship between sound and image. Kolgen works to create objects that assume the form of installations, video and film works, performances and sound sculptures. Constantly exploring, he works at the junctures of different media, as well as elaborating a new technical language and singular aesthetic. Herman Kolgen creations have been presented at renowned festivals and events, such as: Berlin Transmediale, isea, Venice Biennale, Ars Electronica, Sonic Acts, Centre Georges Pompidou, Cimatics, Dissonanze, elektra, Mutek, Sonar, Tapei Digital Art, Shanghai eARTS. Herman Kolgen is the recipient of numerous prestigious prizes, including Qwartz, Ars Electronica, Best Experimental Film Award of the Independant Film Festival of New York and Los Angeles, and the Award of Conseil Général du Festival International du Court Métrage de Clermont-Ferrand.

www.kolgen.net

Mika Vainio, editions Mego, sähkö, blast first, raster-noton, touch / finland
Mika Vainio, currently based in Berlin, was one half of the minimal electronic duo Pan Sonic from Finland (the other was Ilpo Väisänen), whose brand of quirky, lo-fi minimalism transformed them into one of the most popular exports from the Northern European techno underground. Before starting Pan Sonic in beginning of the 90s, Mika Vainio played electronics and drums as part of the early Finnish industrial and noise scene. His solo works, under his own name and under aliases like Ø, tend more toward the ambient and experimental, blending sparse machine noises with shifting rhythms, stubbornly unmusical sonic textures, assorted channel separation weirdness and known for their analogue warmth and electronic harshness. Be it abstract drone works or minimal avant techno, Vainio is always creating unique, physical sounds. He has released on labels like editions Mego, Touch, Wavetrap and Sähkö.

www.mikavainio.com

About immerson:

immerson 7 is pleased to continue its exploration of new perceptions and experiences regarding the listening process, and this year will be an exceptional edition. For some time, I had been hoping to welcome the artists John Duncan and Mika Vainio for an evening of concerts and voilà! In addition, immerson 7 will also present Montreal artists Nicolas Bernier and Herman Kolgen. An evening charged with creativity in an intimate setting. [France Jobin]

immerson is a concert event and philosophy initiated by France Jobin that proposes creating an environment dedicated to an enhanced listening experience through the physical comfort of the audience by means of a specifically designed space.

Jobin initiated immerson in February 2011, in partnership with OBORO and in close collaboration with Stéphane Claude.

France Jobin is an audio / installation artist, composer and curator. Her audio art, qualified as “sound sculpture”, distinguishes itself in a minimalist approach of complex sound environments at the intersection of analog and digital. She participates in festivals, as well as presents installations and events internationally. Jobin has produced numerous solo albums with renowned labels such as ROOM40 (AU), LINE (US), popmuzik records and ATAK (JP).  France Jobin was a Sonic Arts Awards 2014 finalist in the category Sonic Research.

francejobin.com

This event is part of the Montreal Digital Spring 2015
In collaboration with BIAS – International Art Biennial by ELEKTRA

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France Jobin acknowledges the generous support of the Canada Council for the Arts and the Conseil des Arts et des Lettres du Québec.

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CALQ2c

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CONTEXT-ing / Listening as CONTEXT

CONTEXT ( see below for more info)

December 2 -7 | 2014

VIP PREVIEW | December 2

THE DIRECTOR’S PROJECT : CONTEXT-ING / LISTENING AS CONTEXT

CONTEXT-ing / Listening as CONTEXT creates immersive and intimate situations for listening to the work of sound artists exploring the ontological aspects of sound while also working with various materials, approaches, and techniques.

CONTEXT-ing / Listening as CONTEXT will be premiered on the VIP opening night in the 2600sq.ft Sound Positions Pavilion – a dedicated space annexed to the main CONTEXT pavilion featuring 12 individual sound stations, making it the most important and largest sound project in an art fair – and continues during fair hours from December 3rd – 7th.

CONTEXT-ing / Listening as CONTEXT Artists include: 

Tania Candiani, Mexico

Richard Chartier, USA

Richard Garet, Uruguay / USA

France Jobin, Canada

Emeka Ogboh, Nigeria

Kristin Oppenheim, USA

Manuel Rocha, Mexico

Steve Roden, USA

Hong-Kai Wang, Taiwan

Hildegard Westerkamp, Germany / Canada

Jana Winderen, Norway

Zimoun, Switzerland

See more at: CONTEXT art Miami

VIP PREVIEW | December 2 
By Invitation Only – VIP Cardholders and Members of the Press

Collectors, curators, artists, art enthusiasts and members of the press are invited to experience an exclusive First View of the highly anticipated Art Miami and CONTEXT fairs for a cocktail reception benefiting the Pérez Art Museum Miami.

This can’t miss event is the first opportunity to acquire the finest works from the emerging, cutting-edge, contemporary and modern art movements prior to the fairs’ opening to the public the following day.

CONTEXT, along with the 25th edition of Art Miami, commences on December 2, 2014, with the sister fair’s highly anticipated Opening Night VIP Preview to benefit the Pérez Art Museum Miami (PAMM). The 2013 preview attracted 13,600 collectors, curators, artists, connoisseurs and designers, and the fair hosted a total of 72,500 attendees over a six-day period.
This immediately reinforced the CONTEXT fair as a proven destination and serious marketplace for top collectors to acquire important works from the leading international galleries representing emerging and mid-career cutting-edge works of art.

The combined exhibition space of CONTEXT and Art Miami will increase the overall roster of galleries to 200 participants and cover 250,000 square feet. Convenient parking is available for both fairs through the use of a four-story parking garage with 2,000 spots, located directly across the street from the CONTEXT and Art Miami Pavilions. A network of complimentary shuttle buses will run round-trip service between Art Miami, CONTEXT, Aqua Art Miami and Art Basel Miami Beach.

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Mirror Neurons – New AV collaboration – Sound: France Jobin & Fabio Perletta, Visuals: xx+xy visuals

France Jobin + Fabio Perletta with xx+xy visuals
Mirror Neurons

Mirror Neurons represent a distinctive class of cells that fire both when an animal executes an action and when it observes another individual performing the same action. Discovered by Italian neurophysiologist Giacomo Rizzolatti and his team at the University of Parma while doing a research on the neural representation of motor movements in monkeys, the precise function and influence of these neurons has become one of the most important topic in neuroscience. They have been linked to many behaviours and abilities, from empathy to learning by imitation and language acquisition, as well as implicated in conditions such as autism and other brain disorders. These findings suggest that the mirror neuron system plays a key role in our ability to experience empathy.

Initiated by sound artists France Jobin and Fabio Perletta, Mirror Neurons is a media-project investigating the notion of empathy and physical distance. The entire album is the result of extended sound files exchange between Montréal (Canada) and Roseto degli Abruzzi (Italy). Each of the pieces is based on rough sounds and their consequent re-working, listening and reaction, processing and imitation. The ongoing process helped artists to draw inspiration in terms of stimuli for the act of composing itself in two very distant cities, different climate, time zones and languages. The piece will make its debut at the 2014 AxS Festival.

Like much of Jobin and Perletta’s recent works, Mirror Neurons explores the artists’ interest in intersection between science and art, as well as the infinitely small and invisible. In order to further develop the concept of distance/connectivity, visual artists xx+xy visuals from Rome have been involved in the process. They created a multi-dimensional, generative and ever-changing sound visualization through the use of quiet textures and subtle movements emphasizing the slowed sense of time of the work itself.

view excerpt on vimeo here

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Event Horizon – Sound: France Jobin, Video: Cédrick Eymenier

EVENT HORIZON (v.9) – France Jobin – Cédrick Eymenier

Event Horizon (TRAILER) from Cedrick Eymenier on Vimeo.

EVENT HORIZON is an experimental audio/visual work by France Jobin (audio) and Cédrick Eymenier (visual) developed in the summer of 2009.The title of the piece was drawn from the physics term “event horizon” which is a bizarre boundary in space time which gives a black hole it’s name.  It is the proximity point in which no matter or radiation (ex.light) can escape and thereby affect an outside observer.  It is the black holes effects on its surroundings and the light that doesn’t pass the event horizon that gives physicists their awareness that the black hole exists.

This project involves the observation of a cityscape after nightfall. The minimal light observed over the city at night masks the flurry of activity that is obscured by buildings and darkness.

EVENT HORIZON explores the solitary observations of events transmitted via minimal stimuli and the understanding of the existence of incomprehensibly massive amounts of activity that cannot affect the outside observer other than the knowledge that it exists and it is obscured.

In short, it explores the interaction of the subject with the city and the emotions that come with various sensory stimuli and the contemplation of
what the darkness obscures.

France Jobin | Cédrick Eymenier

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Mirror Neurons – world premiere at A × S / ak-sis / FESTIVAL 2014 | CURIOSITY

Mirror Neurons : France Jobin + Fabio Perletta with xx+xy visuals
will premiere at A × S / ak-sis / FESTIVAL 2014 | CURIOSITY September 25th 2014
as part of Synergetica Screening. (see below)

AxS Festival 2014 | CURIOSITY is presenting the North American premiere of SPHAERAE, a large-scale temporary public artwork by Dutch architect Cocky Eek. SPHAERAE is an inflatable pavilion — a component of an ongoing strand of research by architect Eek into the pneumatology and tactility of inflatables and lightweight spaces. Developed in partnership with Synergetica Lab in Amsterdam and the Artscience Interfaculty program in The Hague, SPHAERAE consists of five semi-transparent bubbles of different sizes, which together form a multi-dome construction designed for immersive, synaesthetic experience.

Eek was inspired to create SPHAERAE by 10,000 Peacock Feathers in Foaming Acid, an audiovisual performance work by Netherlands-based artists Evelina Domnitch and Dmitry Gelfand. In 10,000 Peacock Feathers, Domnitch and Gelfand use laser light to scan the surfaces of nucleating and dissipating soap bubble clusters.

DOMNITCH GELFANDFeathers_TodaysArt

Unlike ordinary light, the laser’s focused beam is capable of generating a large-scale projection of molecular interactions as well as mind-boggling phenomena of non-linear optics. Sphæræ’sinflatable structure was designed to both serve as a platform for this uniquely spectacular work, as well as create a venue for other artists, scientists, and performers to make 180° works and compositions which explore the phenomena of light, sound and movement within the domes.

AxS Festival 2014 will present Domnitch + Gelfand in a live performance of 10,000 Peacock Feathers in Foaming Acid — the work that inspired the creation of the SPHAERAE platform — and Solunaris, a new collaborative work by William Basinski & Richard Chartier commissioned by the Pasadena Arts Council and curated by Domnitch + Gelfand.

SPHAERAE will also feature the premiere of Sol Path, a new interactive music work by composer/cognitive scientist Bruno Louchouarn.A concerto for solo viola/percussion/soundscape, Sol Path features live performance by renowned viola soloist Brett Deubner, and immersive multi-media by Asheville, North Carolina-based designer Adam Larsen.

Sol Path is inspired by the exploratory path that the Rover takes over the course of a Martian day — a Sol — which is collaboratively programmed by a team of Earth-bound explorers. Sol Path was created in part with composer Louchouarn in residency at NASA/JPL. Through his dialogues with the Mars Curiosity team — rover drivers, artificial intelligence designers, the “planetary protection team” and others — actual data from the Curiosity mission will become inputs to Louchoarn’s composition and inform the very shape of the experience.

SPHAERAE will be on view for the duration of AxS Festival 2014 | CURIOSITY and feature projects including work, as a far-ranging program of sound works, video screenings, and talks by artists including Chris Duncan, Jeff Cain,Mattia Casalegno, France Jobin, Favio Perletta, xx+xy visuals, Francisco López, Intimatchine, Lucky Dragons, Mike Harding/Touch, Yann Novak, Eric Parren, Paul Prudence, Steve Roden, Jet Smits, Julie Tolentino, Martijn Van Boven, Bas Van Koolwijk, and Virons.

SYNERGETICA SCREENING

Curated by Evelina Domnitch and Dmitry Gelfand, the ArtScience Interfaculty and Synergetica Lab present a series of multi-sensory performances and installations in the context of synthetic biology. Founded in 2006 in The Netherlands, Synergetica is an art-science laboratory, investigating photonics, fluid dynamics, acoustics, quantum chemistry and psychophysics.

Visit the Synergetica website: synergeticalab.com

The North American premiere of SPHAERAE is made possible in part by the Mondriaan Fund and GuestHaus Residency.

 

 

 


 

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UNYAZI 2014 – The listening room

iP orbital from Valence released on LINE will be screened September 11 and run through September 13th in the listening room, part of UNYAZI 2014, the South African electronic music festival. The listening room is curated by Carl Stone.

“When Cameron Harris asked me if I would be interested to help curate the 2014 Unyazi Festival with an emphasis on music from what is sometimes called the Pacific Rim, I was glad to accept, and did so without hesitation. While I knew we would able to bring several wonderful artists to perform at the festival, it was clear that because of the limits of schedule and also budget many interesting artists would not be able to come in person. So I came up with the idea of a listening room, where people could gather and enjoy music in a relaxed setting, and where many pieces from my home base in Japan, as well as  South Africa, Australia,  Canada, China, Hong Kong, Korea, the Phillipines, Rwanda, Singapore, the USA, & Vietnam could be enjoyed. In the end, eight hours of music are being presented, all of them created especially for the medium of the loudspeaker. It has been a lot of fun to put together the program, and I hope those of you who can come by the festival and spend some time listening will enjoy it.”

— Carl Stone, Tokyo

The Listening Room